In my last column, I presented a shuffle rhythm pattern for a standard 12-bar blues in the key of G, with some inversions of dominant 7th chords that had the 3rd, 5th or 7th in the bass instead of the ...

Here, we’ve highlighted the root, 3rd and 5th (a mix of G, B and D notes in this case) within the larger framework of the E natural minor scale. This is a major point to grasp; many useful scale and ...