Officially, the Boston Symphony Orchestra’s “E Pluribus Unum” festival ended at the beginning of February. But the grassroots ...
Ólafsson’s playing consistently drew out the richness and variety of the writing, especially in the opening Toccata. Here, ...
Poetry of a more explicit variety came after intermission in the form of Tchaikovsky’s Manfred Symphony. Inspired by Byron’s ...
The Ides of March may have been unlucky for Julius Caesar in 44 B.C. But it was a very good day this year for contemporary ...
Imaginative recital programming seems to come naturally to pianist-composer Conrad Tao. He consistently merges contemporary ...
“Key of E?” the playwright Franz Liebkind asks Max Bialystock during the first act of Mel Brooks’ musical The Producers. “Is there any other?” comes the reply. There wasn’t on Friday when Víkingur ...
“[Bleeping] family,” Jeff Goldblum’s Zeus mutters in an early episode of Netflix’s Kaos. He could easily have been referring to the dysfunctional brood at the heart of Wolfgang Amadé Mozart’s ...
A sold-out Symphony Hall witnessed a moving performance of Mahler’s Symphony No. 2 in C minor (“Resurrection”) by the Boston Philharmonic Orchestra under the baton of Benjamin Zander Friday night.
Some results have been hidden because they may be inaccessible to you
Show inaccessible results